The complete package for a play's first 30 minutes, with all scripts and guides. The perfect introduction to Cue Script work in the classroom or workshop.
| Code |
Character |
Lines |
First Line |
|
| G-120 |
Le Beau | 22 |
Good Sir, I do in friendship counsaile you
(NULL) |
|
| G-121 |
Second Brother | 16 |
Let me have audience for a word or two:
(NULL) |
|
| M-120 |
Clowne (Touchstone) | 29 (prose) |
Upon a lye, seven times removed: (beare your
(NULL) |
|
| M-121 |
Duke Senior | 17 |
Now my Coe-mates, and brothers in exile:
(NULL) |
|
| M-122 |
First Forrest Lord | 38 |
Indeed my Lord The melancholy Jaques grieves at that,
(NULL) |
|
| M-123 |
Jaques | 23 |
A Foole, a foole: I met a foole i'th Forrest,
(NULL) |
|
| M-124 |
Jaques | 28 |
All the world's a stage,
(NULL) |
|
| M-125 |
Jaques | 18 |
Why who cries out on pride,
(NULL) |
|
| M-126 |
Le Beau | 22 |
Good Sir, I do in friendship counsaile you
(NULL) |
|
| M-127 |
Oliver | 23 |
When last the yong Orlando parted from you,
(NULL) |
|
| M-128 |
Orlando | 24 (prose) |
As I remember Adam, it was upon this fashion
(NULL) |
|
| M-129 |
Orlando | 23 |
I almost die for food, and let me have it.
(NULL) |
|
| M-130 |
Second Brother | 16 |
Let me have audience for a word or two:
(NULL) |
|
| M-131 |
Silvius | 19 |
Oh Corin, that thou knew'st how I do love her.
(Thou hast not lov'd) |
|
| W-120 |
Celia | 30 |
Why should this Desert bee, (poem)
(NULL) |
|
| W-121 |
Phebe | 20 |
I would not be thy executioner,
(NULL) |
|
| W-122 |
Phebe | 27 |
Thinke not I love him, though I ask for him,
(NULL) |
|
| W-123 |
Rosalind | 18 |
Alas, what danger will it be to us,
(NULL) |
|
| W-124 |
Rosalind | 29 |
And why I pray you? who might be your mother
(NULL) |
|
| W-125 |
Rosalind | 21 (prose) |
It is not the fashion to see the Ladie the Epilogue:
(NULL) |
|
| W-126 |
Rosalind | 14 (prose) |
No faith, die by Attorney: the poore world is
(NULL) |
|
| W-127 |
Rosalind | 26 (prose) |
There is none of my Unckles markes upon you:
(NULL) |
|
